Based in Hangzhou, b.1994

Shuo Peng’s practice positions painting as a non-verbal mode of inquiry—a perceptual and introspective dialogue with both the natural world and the inner psyche. Each brushstroke becomes a gesture of self-examination, articulating experiences that resist verbalization.

For Peng, painting is not to be explained but to be perceived. In this visual silence, form and color operate as affective traces, inviting the viewer into a moment of shared presence and emotional resonance.